miércoles, 12 de agosto de 2009

La poesía de Dylan

Entre las piezas que componen el núcleo central de la obra de Dylan se encuentra la legendaria It's alright, ma (I'm only bleeding), compuesta en septiembre de 1964 e incluida en el álbum Bringing it all back home.

Si musicalmente es una canción con pocos argumentos, no sucede así con su letra. Es una letanía lenta y algo cansina en donde parece querer reflejar una sociedad enferma y en vías de descomposición.

Desde las primeras frases nos enfrentamos a una serie de enigmas, de propuestas herméticas, de palabras que se encadenan con unas rimas machaconas y monocordes:

Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying […]

Esos finales de estrofa empleando el gerundio ponen el contrapunto a esa exasperante aridez del texto.

El mensaje no es fácil de comprender; los versos se envuelven en sí mismos y nos producen cierta inquietud, cierto malestar:

El paje de la tentación sale volando por la puerta,
tú le sigues, te enfrentas con la guerra,
contemplas cataratas de estruendo compasivo,
tienes ganas de quejarte, pero a diferencia de otras veces
comprendes que sólo serías
otra persona más llorando [...]

Hay un momento álgido en la canción, en la que el público suele llegar al paroxismo. Es justamente cuando escupe los celebérrimos versos que aluden al Jefe Supremo:

... Pero incluso el Presidente de los Estados Unidos
a veces tiene que quedarse desnudo.

Y así, tras siete minutos y medio de herméticas afirmaciones, la canción termina sentenciando:

Pero todo va bien, mamá, es la vida, solamente la vida.

Yo diría que es Dylan, solamente Dylan.

Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying.

Pointed threats, they bluff with scorn
Suicide remarks are torn
From the fool's gold mouthpiece the hollow horn
Plays wasted words, proves to warn
That he not busy being born is busy dying.

Temptation's page flies out the door
You follow, find yourself at war
Watch waterfalls of pity roar
You feel to moan but unlike before
You discover that you'd just be one more
Person crying.

So don't fear if you hear
A foreign sound to your ear
It's alright, Ma, I'm only sighing.

As some warn victory, some downfall
Private reasons great or small
Can be seen in the eyes of those that call
To make all that should be killed to crawl
While others say don't hate nothing at all
Except hatred.

Disillusioned words like bullets bark
As human gods aim for their mark
Made everything from toy guns that spark
To flesh-colored Christs that glow in the dark
It's easy to see without looking too far
That not much is really sacred.

While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the president of the United States
Sometimes must have to stand naked.

An' though the rules of the road have been lodged
It's only people's games that you got to dodge
And it's alright, Ma, I can make it.

Advertising signs they con
You into thinking you're the one
That can do what's never been done
That can win what's never been won
Meantime life outside goes on
All around you.

You lose yourself, you reappear
You suddenly find you got nothing to fear
Alone you stand with nobody near
When a trembling distant voice, unclear
Startles your sleeping ears to hear
That somebody thinks they really found you.

A question in your nerves is lit
Yet you know there is no answer fit
To satisfy insure you not to quit
To keep it in your mind and not forget
That it is not he or she or them or it
That you belong to.

Although the masters make the rules
For the wise men and the fools
I got nothing, Ma, to live up to.

For them that must obey authority
That they do not respect in any degree
Who despise their jobs, their destinies
Speak jealously of them that are free
Cultivate their flowers to be
Nothing more than something they invest in.

While some on principles baptized
To strict party platform ties
Social clubs in drag disguise
Outsiders they can freely criticize
Tell nothing except who to idolize
And then say God bless him.

While one who sings with his tongue on fire
Gargles in the rat race choir
Bent out of shape from society's pliers
Cares not to come up any higher
But rather get you down in the hole
That he's in.

But I mean no harm nor put fault
On anyone that lives in a vault
But it's alright, Ma, if I can't please him.

Old lady judges watch people in pairs
Limited in sex, they dare
To push fake morals, insult and stare
While money doesn't talk, it swears
Obscenity, who really cares
Propaganda, all is phony.

While them that defend what they cannot see
With a killer's pride, security
It blows the minds most bitterly
For them that think death's honesty
Won't fall upon them naturally
Life sometimes must get lonely.

My eyes collide head-on with stuffed
Graveyards, false gods, I scuff
At pettiness which plays so rough
Walk upside-down inside handcuffs
Kick my legs to crash it off
Say okay, I have had enough
What else can you show me?

And if my thought-dreams could be seen
They'd probably put my head in a guillotine
But it's alright, Ma, it's life, and life only.

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